In his first solo EP since Your Charizmatic Self, Night Slugs founder Bok Bok’s Salvage 2017 is a coolly-refreshing oasis in a desert full of listless attempts at contemplative club music. After exploring a variety of sonic terrain in polished gems such as “Melba’s Call,” as well as an absolutely wild J. Hus remix, the Briton producer swings things back towards a heavy grime influence—but not the commercialized grime sounds that have permeated Americanized club music of late. Rather, he amplifies the grit in plodding, persistent bass to complement the dreary, dark wobble of synths that infused London’s early dubstep scene a decade ago. “Know Already” and “Salvage Lurkin” are the most traditionally grime-oriented of the bunch; however, the stuttering melody and reggaeton-tinged rhythms of “Island Hopping” bring AJ Tracey’s “Wifey Riddim” to mind.
Bok Bok’s work is always excellent, but when I heard a new EP was on the way, I wondered how it would stack up to the now-classic Your Charizmatic Self. Thankfully, he didn’t disappoint—each song on Salvage 2017 is daringly expansive in scope, begging to swallow up a packed club in enticing riddims and pulsating vibrations. Experimentation pays off for Bok Bok, making Salvage 2017 one of his better releases to date.
Salvage 2017 is available to stream on Spotify.
P. Morris described this song as “goombahwave” but I would probably say it’s old-western-movie-on-mute-in-the-background-of-a-dingy-but-inviting-hookah-lounge-wave, if that makes sense to you.
Fade To Mind is what happens when you take the sounds of UK bass music and stretch them across the entire United States. Continue reading Ain’t Nobody Fucking With My Clique, Vol 6: Fade To Mind
Jam City dangles these twinkling synths on front of you and then, once you’re proper distracted, just wails on your chest with that bass line. Continue reading Jam City – Bells
This is a track about ghosts :ghost: or maybe it’s just meant to evoke the image of ghosts. It’s hard to say.
A couple of weeks ago we got to hear a taste of the L.A.-based songstress’s talent on “Enemy,” and I’m pleased to say that as a whole, Kelela’s debut album echoes the combination of vocal skill, lyrical prowess, and bassy dance beats that we were first introduced to. But she’s anything but predictable. Backed by production from Fade To Mind labelmates Kingdom and Nguzunguzu, as well as Night Slugs members, Kelela embodies R&B (in the most refreshing of ways) while defying genre at the same time. This is definitely the start of something major; I’d advise you to keep Kelela under your radar. Sign up to receive a download of Cut 4 Me. :scissors: